meet the designers

 
  • Philomena Email

Philomena Hali

Phil is a practising textile and fibre artist, and as co-instigator of Sustainable Couture, is integral to the vibrant creative energy behind the group. After living in Alice Springs for 31 years, Phil and her husband relocated to WA in mid-2018 – retirement for him, and for Phil, a sea change and reconnection with her family.

 

As a young girl, Phil learned hand-sewing and embroidery from her mother and other Portuguese women from the island of Madeira, where her parents lived, and so her passion for textiles was born.

 

Coordinating Sustainable Couture with Franca Frederiksen in 2009 fuelled Phil’s desire to see more and more recycled clothing being upcycled and repurposed to stay out of landfill. Deconstructed garments become completely new, fashionable, wearable items that delight the wearer and the viewer. Her aim is to utilise all of the fabric bits and pieces remaining, to make accessories or bags.

 

Phil is recognised nationally and internationally for her diverse work; her pieces are held in private collections, museums and galleries across Australia and overseas. Phil also delivers workshops to young people, Indigenous communities, and to fibre and textile artists at national forums held throughout Australia.

 

I am ultimately content with a swatch of fabric and needle and thread in my hand. Creating is my life; sharing technique fuels my passion for passing on knowledge. My workroom is my sanctuary and everything in it gives me joy, inspiration and a desire to create. I make because I love making – rarely do I need a reason - it IS what I do.

For all sales enquiries email Phil

DESIGNER LOOKBOOK

 
  • Franca Email

Franca Frederiksen

Co-instigator of Sustainable Couture and three-time recipient of ‘runner-up’ Wearable Art Awards, Franca is passionate about fashioning stylish garments from recycled and sometimes surprising fabrics. 

 

Coming from a family of talented dress-makers, including her mother and older sisters, Franca is sure that sewing is in her DNA. She was 10 years old when she made her first outfit, by herself, on her mum’s treadle sewing machine. In the 1980s, Franca started to design and make outfits under her own label, using a variety of fabrics, including gorgeous hand printed pieces by artist, Barbara Butler. She found it great fun, but it wasn’t until about 20 years later that she discovered the broad church of recycling.

 

An exciting moment in Franca’s creative development was doing a workshop with funky Australian designer, Linda Jackson. Described as a fashion pioneer, Linda seemed to have tossed aside the rule book. Not enough material? Add a contrast piece. Not going to see the waist?  Don’t worry about adding a waistband.  Don’t tack - sew across pins.  Ahhh...she spoke Franca’s language and opened up a world of possibilities! 

 

It’s great fun reimagining materials and stimulating to be involved, through Sustainable Couture and the Wearable Art Awards, with so many creative people. I love the challenge of turning the likes of blankets and tyre inner-tubes into chic fashion pieces and get lots of pleasure from seeing people wearing them, and, in turn I hope people enjoy the story behind their chosen piece!

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Carmel Ryan

Carmel, whose idea it was to hold the Sustainable Couture Opening Night event in an aviation museum hangar, has been a part of Sustainable Couture from its inception. Over the years, Carmel’s creative flair and imagination has seen her fabulous entries in ‘wearable art’ events take out the top awards, both in the NT and interstate, including being a showcase finalist at Wearable Art Mandurah, Western Australia in 2016, 2017 and 2018.

 

Carmel was one of the six Sustainable Couture designers who presented their well-received 'Edge of Centre’ collection at Eco Fashion Week Australia 2018 in Fremantle. She was also a featured designer in the event’s ‘UpCycling Challenge’: to design a garment using only men’s preloved shirts. Twenty-five white shirts later, she’d created a beautiful bridal gown which drew a lot of attention when on display and was written up in That’s Life magazine. 

 

A long-time dressmaker and passionate about the environment, Carmel prefers to reuse and repurpose, and loves working with vintage pre-loved or found natural materials that 'come with a story’. She’s never far from her sewing machine and can transform the humblest op shop finds into red-carpet show-stoppers.  Carmel enjoys making her unique one-off, slow fashion collections for the annual runway events.

 

I love the connection with like-minded designers and the event’s overall concept and ethos to be more environmentally conscious especially when it comes to the fashion industry.

DESIGNER LOOKBOOK

  • Marg Johnson Email

Margaret Johnson

Marg, a core member of the Sustainable Couture collective, has a passion for the hand-made, which flourished during many childhood hours spent with her talented mother and grandmother, as they sewed, crocheted, embroidered and mended, creating and recreating beautiful clothes and homewares.

 

Drawing on this influence, and the magic of op shop finds and textile treasures passed on by family and friends, Marg continues this textile-crafting tradition, transforming textiles into one-off joyful garments, headwear and accessories, with timeless value.

 

An accomplished milliner, Marg has a great eye for colour, design and detail. Her handmade creations are vintage inspired, paying homage to traditional millinery techniques while bringing a contemporary, playful edge to her work. Her inspiration is the natural world and the ever-present wonder of its colour, texture and forms. She delights in finding once-loved and often neglected hats and restoring them or refashioning them to give them a sparkling new life.

 

I find fascination in the simplicity of stitching, and the connection this brings to generations of makers before me. I enjoy reclaiming the fabrics of yesteryear, recycling the rich stories they hold in their threads, and creating loved clothes that last. I believe that as individuals we can all take action to create a future with less waste – by living more simply and caring more for our precious planet.

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Natalia Rodrigo

Natalia is the creative designer with busy hands behind ‘Beads ‘n Pods’.

She collects used aluminium coffee capsules in a quest to transform and recycle them. Natalia’s adventure started a few years back when a neighbour handed her some clean coffee pods, saying ‘They are too pretty to bin’. So with her two young daughters, Natalia set out to have creative crafty fun and decorate the house for the festive season. Capsules became bells, flowers, candle-holders and some necklaces too, for personal embellishment.

 

Back then it was an eco-friendly pastime, but Natalia became more aware of the impact those coffee capsules have on the environment. Millions of them are disposed of daily, not only in Australia but also around the world. Natalia began to use them to fashion handcrafted creations – unique and innovative ‘capsule’ jewellery and accessories.

 

Natalia’s fabulous collection of earrings and necklaces were showcased at Eco Fashion Week Australia in 2018.  Sustainable Couture designers spotted her collection ‘across the crowded room’, and invited Natalia to showcase at Sustainable Couture in 2019. She’s back again for 2020.

 

Discarding comes too easily and reinventing requires further effort, imagination and time. It has been for me a continuous evolution from hobby to an environmentally conscious art practice, providing the grounds to experiment, learn, play and improve through experience, observation and determination. Inspiration comes from the world surrounding us.

 

I am currently expanding my creations from fashion to art pieces which convert those coffee capsules into blossoming everlasting flowers, celebrating the beauty that nature so selflessly shares.

DESIGNER LOOKBOOK

Kaye Daniels

Kaye grew up in Adelaide when sewing was taught at school and she continues to enjoy making clothes for herself, her children and granddaughters. Sewing clothes for her family are her favourite projects as she can personalise to their tastes. Kaye’s label 'Justnanna' is inspired by what her two granddaughters call her.  It came about to differentiate between ‘Old Nanna’ and ‘not so old Nanna’, and with child logic became Old Nanna and Justnanna!

 

Kaye was introduced to the world of recycling and up-cycling by her daughter, Sophie, who was one of the designers showcasing with Sustainable Couture at Eco Fashion Week Australia in Fremantle in 2018. Kaye marvelled at what can be achieved with recycled fashion and fabrics and of the huge benefits to the environment. She was so inspired by the creativity and accomplishments at Fashion Week that she created a ‘Green Collection’, which she was invited to present at Sustainable Couture’s 2019 event.

 

My 2019 ‘Green collection’ which included a dress, jumpsuit and long lined jacket, was all made from the same offcut I found in a dusty corner of Savers.  I added contrast to the waistline of the dress and jumpsuit and on the lapels of the jacket with some indigenous fabric to represent the importance of looking after the land.

 

I’m sure this year’s collection being showcased by Sustainable Couture will be as diverse and colourful as usual and I thank the team for the work they do behind the scenes to pull it all together – one stitch at a time!

DESIGNER LOOKBOOK

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  • Liz Wauchope Email

Liz Wauchope

Liz has been painting and printing on silk, making garments and accessories, since the early 1980s. She was born and raised in Alice Springs and returns as often as she can now that she lives in Adelaide.

 

Over the 35 years she has been a textile artist, Liz has expanded her repertoire to include screen printing, Japanese Indigo Shibori, devoré (burnout) and discharge printing and dyeing, amongst many other techniques, which have been showcased through Sustainable Couture.

In my hippy trippy days in the 1970s, my grandmother gave me her beautiful silk gowns from when she was a soprano with the Bluebird Choir in the 1920s. She was not pleased when I tie dyed them all!

 

Liz’s current focus on repurposing was ignited by her first foray into the Sustainable Couture Opening Night Parade in 2016:

 

It has turned my artistic practice around, and I now use pre-loved items as a basis for much of my work. I particularly enjoy Indigo dyeing, coupled with Japanese Shibori, or discharge printing.

Naina Devi

Liz Wauchope works with the wonderful Naina Devi, who studied fashion design and construction in India, where she lived until coming to Australia several years ago. Naina brings the technical and fashion design expertise and imagination to her collaborations with textile artists.

 

Naina went to sewing college in her small town in the Punjab, where she worked as a pieceworker for some time, mass producing sari petticoats and other simple garments. Her particular love was embroidery. She gradually became a noted tailor in her community, developing pattern making skills for new designs, together with the ability to expertly repair or completely reproduce a client’s favourite garment.

 

Naina and Liz discuss the designs for the garments and refine their ideas together, then Naina does the skilled work of sewing and finishing.

 

I was very lucky to come to work for Liz as a cleaner, because when I showed her some of my sewing work, my job changed straight away! We have been working together for 6 years now, and every day there is a new challenge. I am glad that we design new things out of old.

 

 

If you are interested in seeing more of Liz and Naina’s work, or wish to purchase an item, you can contact them by email

DESIGNER LOOKBOOK

Jen Standish-White

Growing up in her native land Zimbabwe, Jen began fashioning her own clothes as a teenager in the early 1970s. After over 20 years in fashion and costume design and a lifelong love of natural fibres, Jen migrated to Australia, a journey eventually leading her to Alice Springs. A radical change of career followed; however, in 2013, Jen’s growing interest in promoting ethical fashion through the sustainable recycling of old garments from predominantly natural fibres, sowed the seeds for creating her own label. Jen deconstructs, dyes, felts, paints, recuts, tucks, or otherwise to create the transformed and timeless up-cycled range of unique clothing offered under her ‘Lokathula Couture’ label.

DESIGNER LOOKBOOK

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Cathy Tobin

Cathy is a freeform weaver, creating one-off pieces of wearable art. She grew up in a home that nurtured and supported her to trust her own abilities, to use what was at hand and have respect for nature. These influences and values are the core of her creative endeavours. 

 

Before embarking on a new adventure travelling around Australia in 2015, Cathy purchased her first SAORI loom. It was a way to nurture her creativity and bring enjoyment to her mind and soul, as the loom is travel-friendly. 

 

And what began as a hobby is now Cathy’s passion: weaving, designing and creating unique pieces. Her weaving evolves organically – its freeform style encourages self-expression without the constraints of patterns or aiming for perfection. The garment design process also is an organic one, with the length, weight and fall of the finished woven cloth determining what it will be transformed into. Cathy incorporates all the woven cloth in the garment to minimise wastage.

 

I weave/create daily for the enjoyment of making a unique piece of weaving, the satisfaction of using what is at hand and the pride in creating something beautiful from recycling others’ discards. Old clothing is strikingly renewed with a splash of weaving.

 

SAORI weaving has given me the freedom to express my individuality through the garments I make, and the meditative rhythm of weaving allows me time for reflection.  I want to share this enjoyment with others, and so in May 2018 I launched Gypsy Weaver Studio in Maryborough Victoria where I run regular workshops.

DESIGNER LOOKBOOK

  • Anne Stewart email

Anne Stewart

Anne Stewart is a textile artist and tutor from south-east Queensland whose love of fabric and fibre began in childhood, when she learned to knit and crochet and was also introduced to the traditional Indigenous art forms of weaving and basketry. Anne has continued to expand her skills and knowledge through formal training and is qualified in commercial needlecraft.

 

Anne is passionate about eco dyeing and natural fibres. She makes freeform bags and necklaces in colours that capture the intense tones and hues of the Central Australian landscape. Her stylish one-off pieces, embellished with beads, embroidery and feathers, are as memorable as they are beautiful.

 

Anne first visited Alice Springs many years ago and knew she had found her creative home the moment she walked through the door of Central Craft. She credits her love of eco dyeing to her discoveries at Central Craft where she has been able to share amazing moments and ideas with many outstanding artists. Anne is a regular contributor to the annual Beanie Festival, and the Sustainable Couture fashion parade is one of the highlights of her visits to Alice. This year Anne is collaborating with sustainable couturier Kate Fletcher from Tasmania, pairing her handmade, hand-dyed accessories with Kate’s eclectic clothing range.

 

I get absolute joy out of creating something from others’ discarded textiles. Collaborating with Kate in 2020 is a journey - with Kate in Tasmania and a few closed borders between us. Lock down is just more time to stitch!

DESIGNER LOOKBOOK

Kate Fletcher

Kate Fletcher’s driving passion is creating original clothing with the circular economy as its central focus. Kate, who lives in Hobart Tasmania, has been making and upcycling clothing for as long as she can remember and for the past decade has organised Sustainable Clothing shows.

Her main passion in life, apart from Aussie rules footy, is educating and inspiring people about wearing sustainable clothing and drawing their attention to the social and environmental impacts of the global clothing industry.

This year Kate’s creative inspiration has come from walking in her local neighbourhood: she wasn’t aware how strongly she would be driven to doing dyepots at this time. Wandering her neighbourhood, marvelling at the autumn paintbox, she has been moved to collect and play.

Kate loves collaborating with other people and sharing skills and ideas and regularly hosts darning days at her house. She is delighted to be part of Sustainable Couture for the fourth time and this time she is collaborating with Anne Stewart from Brisbane.  Kate’s and Anne’s creative paths crossed in Alice Springs two years ago. There are grand plans for Anne to visit Tasmania which are currently on hold.

Despite our isolation we have made it happen! Our collection for 2020 is a response to life in isolation. It’s entitled ‘A stitch in the time of Covid’. Anne’s bags and neck pieces fit perfectly with my garments.

DESIGNER LOOKBOOK

Christina (Nina) Long

Nina grew up in Victoria, and has been living in and out of Alice Springs for the past 25 years. Her passion for sewing and creating is in her blood: her mother was a sewer, great-grandfather a tailor and Nina’s two great aunts had a dressmaking business in the Block Arcade in Melbourne in the 1930s.

 

Nina and her sister had their own label, boutique and dressmaking business in Hawthorn from 1993-94. They had a range of easy-to-wear tops and pants, and offered a great dressmaking service, creating wedding dresses, school formal dresses and recreating favourite outfits. Their label was ‘Wear Did You’.

 

Nina enjoys recreating and recycling. She loves the colour and texture of fabrics and enjoys op-shopping for garments to remodel. Two years ago, she participated in Sustainable Couture using denim and colourful dress fabric, choosing denim because it never goes out of fashion, and dress fabric because of the colour and flow. Her inspiration for recycling comes from disliking waste; she says if you like the fabric but not the cut remodel it! She also likes to knit and has entered several beanies into the Beanie Festival in Alice Springs.

 

I was a milliner for 10 years in Melbourne so I enjoy creating fascinators. Millinery is great fun - you can be bright, colourful and way over the top. Being creative allows my imagination to run wild and escape.

DESIGNER LOOKBOOK

Sophie Daniels

Sophie was Sustainable Couture’s first mentorship recipient, with her work being showcased on the runway in Alice Springs and with the group at Eco Fashion Week Australia, Perth in 2018. 

 

Sophie has had a passion for arts and crafts for as long as she can remember. From making decorative bookends with leftover schoolbook contact paper as a child, to making clothes from recycled bed sheets and tablecloths, her creative adventures are always evolving while keeping a central focus on sustainability. Her fabulous handmade earrings brought her to the attention of the Sustainable Couture group. 

 

At the moment, she is gaining inspiration for her sewing, illustration and object creation from the natural world, and the colours of the Central Australian desert. She has dipped into some eco dyeing, floral fabrics, and hues of the red, gold and orange skies and sand of Alice Springs.

 

As much as she can, Sophie creates from materials that have been discarded, passed on by others, found or recycled.  Being very conscious of the meaning, impact and influence of our actions, Sophie has always endeavoured to share her values of sustainability with her peers and the wider community. She was excited to discover and then join Sustainable Couture in Alice Springs, and continues to implement the skills she was taught during her mentorship.

 

I am continually inspired by the knowledge, creativity and generosity of this wonderful group of people. I am thrilled to be involved in Sustainable Couture, to share my passion for op shops and creativity, and to continually learn from talented like-minded people.

DESIGNER LOOKBOOK

  • Aukje Boonstra Facebook

Aukje Boonstra

Born in the Netherlands in 1952, Aukje became a mother in 1974 and migrated to Australia with her family in 1981. Aukje’s artist practice started in 1996, after a major change in life circumstances. Moving into the art side of things was very exciting. During the workshops she attended in Hobart she discovered opportunity shops and developed an eye for quality clothing made of natural fibres. Eco dyeing was another discovery, which continues to fascinate her.

Aukje has had several solo exhibitions in Tasmania, and one in The Netherlands in 2018, with a follow up workshop there in 2019. Workshops on offer include Old Fashion – Transformed (transforming of outdated and discarded clothing); The Essence of Nature (Eco Dyeing); Creative Embroidery; Found, Collected, Dyed, Stitched (working with found and collected objects, eco dyeing and stitching).

My mother was always sewing, stitching, knitting and crocheting for the family. Freehand stitching is something I absolutely love. It has gone from working on my dining table to teaching and exhibiting.

Through my workshops I create awareness of how synthetic materials and dyes pollute the Earth, as well as drawing my students’ attention to the appalling working conditions of workers producing fast fashion.

DESIGNER LOOKBOOK

Akansha Goswami

Akansha, who is from India, has a passion for fashion – for designing, pattern making, stitching, fashion illustration, printing and surface development. With qualifications in apparel designing and working experience as a designer, Akansha enjoys the creative process and using her versatile skills to play with colours and shapes.

 

Growing up, Akansha loved being crafty and making things her own. She would see something she liked and add her own touch to it. She was a big fan of DIY (do it yourself) projects and decorating her rooms to satisfy others or herself. As she got older, her love for these things just continued to grow. She created a ‘Pinterest’ account that inspired her as well.

 

Initially, Akansha wanted to pursue a career in Interior Design, but discovered early in her studies that it wasn’t for her, as she was more interested in the decorating aspect than the design part.  Akansha took some time to rethink her options, chose Fashion Design as her career and is very happy with her choice.

 

As a designer I love creating original clothing and accessories. My main objective is to put in my best effort and endeavour in the fashion industry. I am very glad to be a part of Sustainable Couture, enjoying the process of designing, recycling and presenting something new and different. Imagine seeing people at a fashion show clapping for your amazing designs! Then you know you chose the right career.

Jackie O'Toole

A Scottish-trained fashion designer/pattern maker, Jackie has worked for designer Zandra Rhodes and part time for Gucci, in London, as well as operating as a freelance stage-wear designer for rock bands. In Auckland she worked for companies such as top NZ swimwear label Moontide and lingerie brand Bendon before starting her own label.

 

In Alice Springs in 2007 Jackie taught pattern drafting which she then continued following a move to Darwin. She continued her business in Darwin with multiple custom-made orders, NT Fashion week, and recently re-connected with Sustainable Couture. Jackie’s skills have crossed many fashion genres from custom made one-off pieces, race day dresses, collaborating with emerging local designers to make collections, menswear, formal wear, music festival fashions, and upcoming costume projects.

 

For Sustainable Couture 2019 Jackie has re-purposed men’s suiting, net curtains, a table cloth, pillow case, leather cushion, and recycled fabric to create 3 very different looks

Janie Andrews

Janie is a painter, textile and mosaic artist. Originally from the UK, Janie is now based in Darwin NT, where she instigates and coordinates a multitude of different projects using each media, working in both remote and urban settings. Janie enjoys the challenge of joining this year’s Sustainable Couture team and the chance to upcycle, revive and transform some preloved clothes into whacky hats and outfits. As part of this year’s program, Janie will be running painting, print making and textile workshops for the Beanie festival.